22 pages of Karin-chan. A long interview, filling up 16 pages with walls of text. That's not counting the cover page, the 'table of contents' photo, and the attached postcard. The title of this magazine, 'Idol and Read', isn't just for show - it's got photos of idols, and an overwhelming amount of text. These excerpts make up roughly two-thirds of the interview with cover girl Miyamoto Karin, clocking in at over 4000 words. Just in time for Juice=Juice's Taipei and Hong Kong concerts! It's a long read, but I hope you enjoy this journey into the mind of Hello! Project's idol cyborg.
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Personally, what is your view of the present state of Juice=Juice in 2015?
I think that we're moving onwards and onwards. For Juice=Juice, the 5 of us think, 'Let's polish up our performances even more', so we're all heading in the same direction. Through our livehouse tour, we've gone to all sorts of places by ourselves. It was by no means the short road, but if you were to ask me, it passed by in the blink of an eye. I'd like to aim even higher, and progress forward. Also, our original goal was to go around all 47 prefectures, but we only got to go to 38 prefectures in our first tour. So it would be great if we could conquer the 47 prefectures through the 220 performances in our upcoming nationwide tour.
At your first Nakano Sunplaza tour by yourselves, you performed your new song 'Tsudzuiteiku STORY' from your album 'First Squeeze!', and Miyamoto Karin, you couldn't hold back and broke into tears. Why did you cry then?
Looking back on Juice=Juice up until then...... This may be obvious, but with lyrics like 'Yume wo Katatta Nakamatachi, Egao to Ase no Jikan Ryokou' (We friends talked about our dreams, time-travelling through sweat and smiles) or 'Fuan de Ugokenakattari... Joudan de Waraiattari... Mainichi ga Takaramono deshita' (Unable to move due to anxiety... Laughing due to jokes... Every day was a treasure), I got into them, as they fit Juice=Juice's story to a tee...... Nakano Sunplaza was also the very first stage that I got to stand on when I was in the H!P Eggs (H!P Kenshuusei), so the many things that had happened since then came to mind. Being able to stand on that stage for Juice=Juice's first one-man live made me feel happy, and I was emotionally moved!
For that day's performance, I wrote an article with the headline 'Even the idol cyborg's eyes had tears', but what led to Miyamoto Karin to start being called the 'idol cyborg'?
I was being called that before I realised it, but honestly I'm not an idol cyborg at all (laughs). And so, every time I'm called that, I steel myself, thinking that I have to be perfect, but my fingers are clumsy, and there are lots of things about me that are awkward, I'll cry at concerts, like I did at Nakano Sunplaza. More than a perfect idol, I'm more of a human idol. Of course I'd like to aim for perfection, but I don't adhere to the idol framework when it comes to facial expressions for songs. I'd like to become a person who can pull off all sorts of expressions.
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